Monday, 21 October 2013

Genre Typecasting

In media typecasting is the process by which particular actors become strongly linked with certain roles and genres. This can be bad for an actors reputation as they might not be able to play big roles in films that's genres do not match

An example of this is Jim Carey, he is usually shown as a comedic character as he mainly appears in comedies such as; Bruce Almighty, Ace Ventura and Dumb and Dumber.































Another example of typecasting in genre is with Bruce Willis. Bruce Willis mainly features in action films like the "Die Hard" series and The Expendables. He is usually portrayed as a tough guy character for example in the die hard films he plays John McClane

















An actor that is also often typecasted is Hugh Grant, he is usually in romantic comedies and is usually the main character. He has been in films such as Bridget Jones' diary and Notting Hill

2 comments:

  1. Think this through further and use the resources in Collect Work From Teachers. Typecasting actors is done to help sell movies. Stars such as Tom Cruise can sell a film and have huge power in Hollywood. The cost of using actors such as these can be monumental (research costs) - so much so that when Pierrce Brosnan wanted a higher fee to play Bond the producers decided to use a lesser known actor so the majority of the budget didn't go to the main actor. Now the new lead is one of the best paid actors in Hollywood as he has achieved star status simply from playing the role o James Bond - see, lots more to discuss.

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  2. Still missing many posts - see below and catch-up. You can't afford to get behind as it's a fast paced course.
    P1 - Genre - general
    P2 Genre - why we categorise films
    P3 - How genres change
    P4 Hybrid genres
    P5 - Sub genres
    P5b- Moodboard on conventions of a thriller
    P5c Genre typcasting of stars (must do thriller)
    P6 Narrative
    P7 Narrative Theory
    P7b Time in narrative
    P7C Applying the 3 act structure to thriller
    P8 Audiences
    P9 Audience research
    P10 Film Ratings
    P11 Representation of men (relate to Thriller)
    P12 Representation of women (relate to thriller)
    P13 Audience Positioning (using Padlet)
    P14 Audience Institutions
    P15 Synergy
    P15 Film Distribution
    P16 Film Marketing
    P17 Independent vs Hollywood
    P18 History of opening sequences
    P19 Conventions of opening sequences

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